". . .a craftsman-like and gracefully wrought work. . .The middle movement is particularly fine, a wistful slow waltz of lovely simplicity which begins and ends with a tranquil dialogue between the two unaccompanied violins. . .The last movement opens with the only real solo fireworks in the piece - a brilliant chase for the two instruments over steady rhythmic support from the accompanying strings. Music and Letters, 1966
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