With the international critical and commercial successes of Le Declin de l'empire americain (The Decline of the American Empire, 1986) and Jesus de Montreal (Jesus of Montreal, 1989), Denys Arcand has risen to the forefront of Canadian filmmaking. These films brought wider recognition to a director whose career spans 30 years and who has played a pivotal role in the development of our perception of French-Canadian cinema. This collection of essays presents a complete portrait of this fascinating filmmaker.
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